Hello — I'm the eye
behind Leen Media.

My story

I didn't fall in love with cameras. I fell in love with moments — and the camera was simply how I learned to hold onto them.

It started, as these things often do, almost by accident. A borrowed camera, a Nairobi afternoon, and a single frame of a stranger laughing at a matatu stage that I couldn't stop looking at. There was something in that image I hadn't put there on purpose — a kind of honesty. I've spent the five years since then trying to find it again, on every shoot, in every light.

My approach is candid before it is anything else. I'm not the photographer who'll spend an hour arranging your shoulders and forcing a smile that isn't yours. I'd rather watch. I'd rather wait for the real thing — the glance between two people who think no one is looking, the quiet second before the celebration erupts, the way the morning light falls across a market in Gikomba. The posed frames have their place, and I'll make those beautiful too. But the images people keep on their walls for decades are almost always the unguarded ones.

Over the years that instinct has carried me across very different worlds. One week I'm in a studio shaping light for a fashion editorial; the next I'm in a garden in Karen watching a bride's father blink back tears; the week after that I'm somewhere off the tarmac in the north of Kenya with a camera and a notebook, following a story that might become a short film. Stills and motion, brands and weddings, the planned and the found — to me it's all the same craft. It's all visual storytelling. It's all about paying attention.

Nairobi is home, and it's also my teacher. This city moves fast and feels deeply, and it's taught me to do both — to be ready for the moment without ever losing the patience to wait for it. Whatever you bring me — a campaign, a wedding, a wild idea half-formed — I'll treat it the way I treat every frame: like a story worth telling well, and worth keeping.

So that's me. Now I'd love to hear about you.